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THREE-STRIKES THROUGH THE BACK DOOR VIA WORLD TREATY? Well, perhaps. A not-much-reported conference of ministers from around the world focused on the trade and distribution of more traditional counterfeit goods, has been giving some thought to internet piracy. The conference, in South Korea last week, and involving reps from Japan, the US and the European Union, among many others, was discussing the Anti-Counterfeiting Trade Agreement, a global agreement that has been in development for two years now. The talks have been rather secretive, but leaked documents show that online piracy, and ways to combat it, was very much on the agenda. And, as has been the trend of late, many representatives there saw the internet service providers as the people who could and should be stopping the infringement of intellectual property rights on the net. Among the proposals discussed last week was some sort of global three-strikes rule, and a restriction of the so called "safe harbour" provisions of copyright law (to use the American jargon) which offer ISPs protection from infringement claims even when their servers and networks are used by others to infringe. Three-strikes - whereby ISPs are forced to suspend or disconnect net users who fail to stop file-sharing unlicensed content after two warnings - has been controversial in all the territories where it has been seriously considered. As I remember it, only New Zealand and France have actually made the system law, though neither country's three-strike procedures are yet active. It looks increasingly likely, of course, that some sort of three-strike system will also be introduced here in the UK. With ISPs the world over (well, outside of Hull - remember the Karoo story?) resistant to any proposals they take on more responsibility for combating online piracy, most in the content industries now recognise new laws are needed to force net firms to act. Of course if "safe harbour" type protection was removed so that ISPs would be liable for so called authorising or contributory infringement by allowing others to use their networks to infringe, the net firms would have to act even if no three-strikes system was actually in place. The secrecy of the talks does seem rather strange, though with the strength of the ISP lobby and the volume of online opposition to any draconian policing of the internet, it may well be that those involved in ACTA don't want to garner too much attention until their proposals are formalised. Certainly if those proposals do cover internet piracy as well physical product counterfeiting, then they will prove more controversial when they get to treaty stage. Moves to stop kids file-sharing are always going to be more emotive than laws to stop market traders selling knocked off DVDs and dodgy sports kits. -------------------------------------------------- ALTERNATIVE RAMMSTEIN ALBUM RELEASED TO SATISFY CENSOR That will mean the removal of the track 'Ich Tue Dir Weh' (or 'I Want To Hurt You') and photos featuring guitarist Richard Kruspe with a masked naked woman on his knees. The Federal Office's ruling earlier this week meant that German record stores had to remove original versions of the album from display, and can now only sell the uncut version over the counter to music fans with 18+ ID. Although Rammstein haven't officially commented on the Federal Office's ruling, the band's keyboard player Christian Lorenz said it was "petty misunderstanding of art and a massive interference with civil rights". Though you can't help thinking such a government reaction is exactly what the metallers were hoping for when they wrote the chorus to lead single 'Pussy', a track accompanied by an x-rated video: "You've got a pussy, I have a dick, So what's the problem? Let's do it quick". MUSICIAN LOSES $400 BILLION BON JOVI LAWSUIT As previously reported, Steele claimed that Bon Jovi's song 'I Love This Town' was a clear rip-off of his 2004 tribute to the Boston Red Sox baseball team, '(Man I Really) Love This Team'. He says that he passed copies of his song to Major League Baseball with a view to doing a deal whereby they would use it to promote the sport (if I remember correctly, his plan was to record a version of the song for every team in the league). Imagine his surprise, then, when the very same baseball league began using Bon Jovi's song to promote the 2007 play-off coverage on Time Warner's TBS cable TV channel. Litigation followed. Which, all sounds quite reasonable. Apart from the demand for $400 billion in damages, of course. And the fact that Steele lost the case because his own musicologist said that the two songs aren't particularly similar. Oh, and the fact the judge also said that no reasonable jury could ever think that the two songs had anything significant in common with each other. Despite all this, Steele has now appealed the ruling. Yeah, good luck with that. RADIO ACADEMY TO HONOUR WOGAN COWELL NOT SHORT OF A FEW BOB Here's the full top ten: 1. Simon Cowell, American Idol ($75m) TYLER NOT QUITTING AEROSMITH, OR PERHAPS HE IS Last night it seemed pretty certain that rumours Tyler was quitting the band had been premature. Mainly because Steven Tyler had got up on stage and said so. While standing next to the man who'd been fuelling the split rumours, his bandmate Joe Perry. Tyler joined Perry on stage earlier this week at a charity bash staged by the Aerosmith guitarist's solo project the Joe Perry Project. Perry had previously said he was pretty certain Tyler had quit the band, while criticising the Aerosmith frontman for failing to communicate with his bandmates. But Tyler was doing quite a lot of communicating at his bandmate's gig the other night. Arriving on stage part way through the show, he told the audience: "I just want New York to know, I am not leaving Aerosmith. And Joe Perry, you are a man of many colours but I, motherfucker, am the rainbow!" The two men then played 'Walk This Way' together and everything was all happy and fine again. And if you don't believe me, there's even a video: www.youtube.com/watch?v=lC7EK68tdEY And, with that all settled, the band's drummer, Joey Kramer, chipped in, insisting all the confusion around the future of Aerosmith was down to us pesky journalists. Apparently the bastards in the media had been misquoting everyone and taking things out of context. He said on US radio station WPLR: "We've gone through a lot of stuff together. It's been a 40 year marriage. My partners have been misquoted and their comments have been taken out of context. I'm not going to make a statement about that on the radio. I'm going to make a statement about it in person". Presumably that means Kramer will be calling round all our houses to give us a personal insight as to what's going on. Perhaps he can explain why Perry, despite Tyler's appearance at his New York show, still seems to think the band is imploding. Perhaps Rolling Stone are misquoting him and taking what he said out of context. But they quote Perry as saying Tyler's appearance at his gig came as a total surprise, and that as soon as he'd denied the split rumours and sung a song he walked his way out of the venue without another word to his bandmate. Perry: "There was all this commotion during our encore break and somebody said, 'Steven is here'. I was like, 'What?' He came up and sang and that was the last I saw of him". Perry is also standing by past comments that the band are looking for a new frontman, at least on a temporary basis: "He [Tyler] wants to take two years off from the band. The rest of the band wants to keep on working. We have so many different options to fill up that time. Anything is possible at this point". So, yes, confusing. And unless Tyler appears on stage again to clarify matters, or until Kramer calls round to deliver his statement in person, all we can say is that Steven Tyler is -------------------------------------------------- SO SOLID CREW RETURN -------------------------------------------------- PULP REUNION MIGHT HAPPEN (BUT DON'T QUOTE US) Cocker told the NME: "I suppose it made me think a little bit - the fact that people did seem interested. That made me think about it a little bit more. I got asked about Glastonbury and someone said, 'Would I like to play there again?'. I said 'Yes', but I think people interpreted that as, 'I would you like Pulp to play Glastonbury again'". JAY-Z SIGNS THE TING TINGS A source told The Hip Hop Chronicle: "Jay is hoping to lend his production skills to some of the new material, the staccato rhythmic style of The Ting Tings sits well with what he does best, so that was the attraction. Jay can make them one of the biggest British bands across the pond". We rang Jay to find out if it was true but Beyonce said he'd just popped to the shop and she wasn't sure, so we'll try again later. ALBARN WRITING OPERA WITH ALAN MOORE In an interview with Mustard Magazine, the Watchmen writer said: "We're planning for me to do the libretto on their next opera project". Albarn and Hewlett's first operatic collaboration was, of course, 'Monkey: Journey To The West', which debuted in 2007 and concluded with a residency at the O2 Dome in London. LADYTRON HITS ALBUM PLANNED The Liverpool band have recently been working with a certain Christina Aguilera on her new album, and Wu admits that its occurred to him that might generate new interest in his own band, which may be another reason to release a hits collection now. Wu: "Since we've been working with Christina, I think a lot of new audiences out there will want to know about us". -------------------------------------------------- CAVE AND ELLIS TO RELEASE NEW SOUNDTRACK The two Bad Seeds (assuming Nick Cave is allowed to be referred to as a Bad Seed) have since worked on various film, theatre and book soundtracks, and the latest, the score for John Hillcoat's film adaptation of Cormac McCarthy's 'The Road', will be release on 4 Jan. So you should be excited about that. And the film. The film sounds ace. -------------------------------------------------- SCHOOL OF SEVEN BELLS RELEASE NEW OLD ALBUM The band are currently working on their second album, which is due for release next year, and will play a one-off headline show at the ICA in London in 4 Dec, as well as appearing at the My Bloody Valentine-curated ATP Nightmare Before Christmas on 6 Dec. Here's the tracklist for 'Alpinisms: Special Edition': Wired For Light (Live Drum Version) SLAYER'S UK TOUR STILL ON He told Classic Rock: "We did have to pull out of a Canadian tour with Megadeth because of Tom's situation. But, as far as I'm aware, the British shows will go ahead. Of course, Tom's health must take priority. However, he's making good progress, so we'll see everyone soon!" -------------------------------------------------- ROKIA TRAORÉ TO PLAY KOKO ------------------------------------------------- NME AWARDS TOUR 4 Feb: Newcastle, O2 Academy THE ENEMY JOIN EDINBURGH'S HOGMANAY LINE UP SINGLE REVIEW: King Charles - Love Lust/Mr Flick (Mi7 Records) Both of the songs on this double-A side single have a rhythmical quality, striking a groove and taking the listener into a raga of chanted choruses. Covering both the personal and the political, the first is about the contradictions of love and lust, while the second is about being restricted by 'The Man'... man. It's good stuff. Although, with both tracks only about two and a half minutes long I felt a bit cheated. I want these grooves to go on for at least five minutes each to get into a mind meld of psyche-rock! IM Physical release: 26 Oct Buy from iTunes COKE TO SPONSOR TUBE BUSKING PITCHES IN RUN UP TO CHRISTMAS A spokesman for the drinks firm told reporters: "We are in discussions with London Underground about incentivising buskers and giving them the option to include festive songs in their repertoire during their set, which could include the 'Holidays Are Coming' tune from the Coca-Cola Christmas ad. This would be completely at their discretion and is not something that is at all mandatory". Perhaps they could expand the busking pitches to comedy and persuade Mark Thomas to come and do his "why Coke are evil" routine. NEW CFO AND COUNSEL FOR EMI The former is Shane Naughton, who joins the major from Music Week publishers UBM Information. He will head up all of the financial operations of EMI's recorded music division worldwide. Which, if you believe the rumours, has got to be a pretty depressing job. The major's new legal woman is Kyla Mullins, who joins EMI from ITV, so a least she'll be used to working for a struggling once-great British content company. In her new job Mullins will be responsible for all of EMI Music's legal, business and government affairs worldwide. Confirming the appointments, EMI big cheese Elio Leoni-Sceti told CMU: "I am delighted that Shane and Kyla are joining EMI Music. With their proven expertise in the international media and digital arenas, they will be valuable additions to the EMI Music team as we roll out our global, consumer-focused strategy". -------------------------------------------------- AEG TO RELEASE 3D CONCERT FILMS Well, 3D concert films are AEG's latest venture. Earlier this year they teamed up with a company called Action 3D to film various US festivals, both AEG promoted events like All Points West and others like Lollapalooza and Austin City Limits. And footage from those recordings will now be made available in a movie called 'In Concert 3D' which will arrive in US movie theatres next month featuring performances from Dave Matthews Band, Ben Harper & Relentless7 and Gogol Bordello. A Kenny Chesney specific 3D movie will follow next Spring. AEG is talking to lots of other artists about involvement in future 3D movie projects. I think artists getting hold of footage for their own DVD releases is a sweetener in the deals the promoter is doing with artists on this. But if any of those artists are reading this, please don't be tempted, you'll only encourage the making of more 3D films, and we all know that they are all shit. -------------------------------------------------- DUBAI SOUNDCITY: IS THE ALBUM REALLY DOOMED? Most on the 'Music For Free' panel, where the question was raised, seemed to agree that the future of the album was, if nothing else, in the air as consumers utilised iTunes and its like to pick and mix tracks from LPs, perhaps taking out their revenge on a music industry which, on some and maybe many occasions, forced fans to buy mediocre songs in order to get the handful of tracks on an album that they actually wanted. CMU Publisher Chris Cooke observed: "The only reason bands ever released music in sets of ten songs, or there abouts, is because that's what would fit on a piece of 12" vinyl. Creatively there's no reason for artists to limit themselves to the traditional album format, and in the digital age the logistical reasons to do so are less important also. That's quite exciting". But as tour promoter Michael Chugg pointed out, there are still some logistical reasons why a music market completely based around singles won't work. "What you're seeing is record companies signing one single deals, which means more artists are known almost exclusively for one song. That's not going to translate to live. I can't stage a tour for a band who only have a one single deal. People try, but you can't sell two thousand tickets for a band who are only known for one track". As another SoundCity delegate pointed out to CMU shortly after the debate, there are other reasons why the album model is still sound, even though the distribution limitations that originally led to the format dominating the record industry no longer exist. First, while there is no creative reason for artists to release music in sets of ten songs, it's true many artists have short creative spurts every couple of years, many couldn't or wouldn't produce stand alone songs on a weekly or monthly basis. Second, for any touring band it makes sense to spend six months on a new album before heading out on tour for two years. And while music produced in one of those touring breaks could be held back and released over a longer period, in an age where studio session leaks are the norm, that's probably not going to work. And third, and finally, does the public have the patience for mainstream acts to be constantly in their faces? True, dedicated fans will enjoy having new material from artists on a regular basis, but for artists who cross into the mainstream - surely the public at large appreciates the fact that after four months of Coldplay/Robbie/U2 saturation, said artists have the decency to disappear for two years while they tour on the other side of the world and work on their next long player. All of which is very true. So, despite a public appetite for singles over albums, perhaps the album format will still survive the digital revolution. MORE DELAYS FOR LAUNCH OF SPOTIFY USA? Concern also remains in the US over the ad-funded free service that Spotify has led with in Europe. Some American labels worry that such a compelling free service will hinder the slowly emerging market for subscription-based music services in the US. The fact Spotify is still struggling to convert serious amounts of European free users into ten pound a month subscribers will add to those concerns. Nevertheless, Spotify main man Daniel Ek is still talking about an early 2010 US launch for his service. In related news, TechCrunch has reported that another free-to-use streaming service in the US, the expanded MySpace Music proposition, will restrict the amount of free streaming in the near future, and increasingly push a subscription service. It's thought ad revenues are not as high as hoped, and the end of an ad sales deal between MySpace and Google is forcing a rethink. -------------------------------------------------- ORANGE SELL LOTS OF IPHONES THIS WEEK'S STUDENT RADIO CHART 1. Chase & Status - End Credits RONNIE WOOD DIVORCE PROGRESSING A decree absolute should follow in six weeks. It's thought Mrs Wood will get a £6.5 million settlement as part of the divorce. -------------------------------------------------- STING NOT AN X-FACTOR FAN |
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