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TERRA FIRMA V CITIGROUP: OPENING REMARKS Anyway, it was day one of the Terra Firma v Citigroup trial yesterday. As much previously reported, Terra Firma and its boss man Gary 'The Guy' Hands, and Citigroup and its senior advisor David 'The Worm' Wormsley, are squabbling over the former's 2007 acquisition of EMI. Gary claims The Worm gave him duff advice ahead of his audacious EMI takeover which, he argues, resulted in him paying over the odds for the flagging music company. A jury of nine took their front row seats as the long running squabble finally reached court yesterday, after to-the-last-minute efforts to reach an out of court settlement failed. They were told that the case about to unfold before them would focus in the main on conversations between three men at three companies over four days - that being Gary and Terra Firma, The Worm and Citigroup, and EMI and a guy called Eric. Opening for Terra Firma, attorney David Boies updated jurors - who embarrassingly haven't been reading CMU's coverage of this squabble, otherwise they wouldn't need to have been told - on Gary's allegations. Citigroup misadvised Terra Firma, he said, mainly because of a conflict of interest brought about by the bank working for both the equity group and EMI at the same time, not to mention the fact the bank itself stood to gain greatly from the takeover going through, as the main money lenders behind the deal. He told jurors that The Worm, and another Citigroup exec, had told Gary that they were working totally in Terra Firma's interests with regards the EMI deal, with Wormsley allegedly saying, "I am incapable of not trying to get you the best possible outcome". Yet, Boies claimed, at the very same time The Worm was telling the aforementioned Eric - EMI plc CEO Eric Nicoli - that he was operating in his company's interest, advising that, "I have negotiated against Guy on literally dozens of occasions. He is very quirky and I am absolutely certain that I can deliver very serious added value to the negotiations". Citigroup was, Boies reckons, "playing both sides of the street". As Terra Firma's dealings with EMI plc reached their climax, Boies added, Citigroup advised Hands that he should not "play games with the offer price", indicating - Terra Firma says - that there were other serious competing bids on the table. The bank also brought forward the deadline for bids, albeit "at the request of another bidder", further forcing Terra Firma's hand. All of which, Boies says, rushed Terra Firma into making an offer for EMI way above the odds, with Citigroup assuming that once Hands had made his initial offer he'd not want to withdraw it, because doing so would damage his reputation as a big deal maker. Nevertheless, Boies claimed, the bank maintained the charade of there having been a serious rival bidder even once Terra Firma had made its offer. The lawyer told the court: "Citigroup knew they lied, so they tried to cover it up to continue the fiction. Moreover, they were joking about how much of a fool they made of one of their most trusted clients". Citigroup's man in court, Theodore Wells, countered that The Worm was an honest banker - because apparently such a thing exists - and that he had never lied to Gary about rival bidder Cerberus's intentions. The bankers' legal man was keen to paint a different picture - one in which Gary had made big promises to his investors about the profits that could be made by turning EMI's fortunes round, and that when he failed to deliver on those promises the equity man started to look for someone else to blame, rather than take the failure on the chin. According to The Guardian, Wells told the court: "Guy Hands is a very senior corporate executive who buys and sells companies and tells his investors they will make a lot of money. He told them he had money in the [EMI] deal and they should be happy too. Then it turned out to be a bad deal. People lost a lot of money. So now Hands has a new story: rather than take responsibility he says he was tricked by David Wormsley. There was no fraud, no lies. Guy Hands wanted to buy EMI and he wanted to win. It wasn't a good investment, so now we are in this courtroom". Wells added that it was insane to suggest Hands had based is entire decision to invest in EMI on a last minute piece of advice that may or may not have been given by Wormsley. "You don't put up $4bn without due diligence", he mused. "The fact that the deal did not go well is not Citi's responsibility". The case continues. RED HOT CHILI PEPPERS READYING TENTH ALBUM FOR SUMMER RELEASE The band, of course, reconvened in October last year after a two year hiatus, Smith telling Clash at the time: "We're gonna write for a while, it usually takes us a while". A month later, it was announced that guitarist John Frusciante had not rejoined his bandmates, and had been replaced by session guitarist Josh Klinghoffer, who had previously performed live with the band, as well as playing with acts like Gnarls Barkley, Beck and PJ Harvey. In a new interview with Music Radar, Smith has revealed that work on the album is moving closer to completion, with a summer 2011 release date planned. He said: "Things are good. Very good. We've cut a bunch of songs, so we're probably half way through the record. I think we've tracked about 20 songs already, and there's a few more left to do. Then we'll whittle them down to make the best record ... I'm just projecting and guessing, but I would say we'd like to try to deliver [to the label] the album in March. We're definitely hoping to have it out by next summer". As for how Klinghoffer is affecting the band's new material, Smith continued: "Things are a bit different. You know, he's a different guy. But he's doing great. He's got a terrific sound, he's very musical, he's full of ideas - we're enjoying working with him. Things are coming along pretty easily, so that's always a good sign. I've been playing with him for over a year now, so it's feeling very natural ... I wouldn't say it's radically different. Josh is just Josh. He has his own thing, and that's why we love him. The sounds he comes up with are very pleasing to my ears, and I'm pretty sure they will be to everybody else once they hear him on this record". He also confirmed that the band will be performing at festivals next summer, which will mean he can't perform live with his other band, Chickenfoot, though he did say he was "pretty certain I'll be able to finish the second [Chickenfoot] record" despite his RHCP commitments. -------------------------------------------------- BUSTED RECORDING NEW ALBUM WITHOUT SIMPSON Earlier this year, Bourne told the Flecking Records website that Simpson was blocking the pair from using their old band name: "Matt actually asked Charlie if he would mind us using the name Busted without him. He said [we couldn't]. We invited him back, knowing he wouldn't be into it. He doesn't want to come back, but he doesn't want me and Matt to do it without him either". Willis said this week: "Music is always in the back of my head. It's always the thing that I want to be doing. There's a chance we'll be doing something soon. It's the two guys who wrote Busted songs. So it's going to be a little bit like Busted. But we're both 27 now. We're not seventeen writing about school teachers and the year 3000. Though we're not writing about really grown-up stuff either". He added: "The way it's taken shape, it's funny. I don't know if 'Flashdance' has influenced me, but its quite 80s, quite synth-based. But it's still got guitars. It's great. It's wicked. Things are looking good. Fingers crossed, we should be making an album within the next six months hopefully. But we'll see". Simpson, of course, is now the guitarist in Fightstar, who are currently on hiatus but planning to begin work on their fourth studio album next year. Simpson is also working on a solo album, which he is financing through fan-funding service Pledge Music. -------------------------------------------------- KANE CONFIRMS SECOND LAST SHADOW PUPPETS ALBUM Asked by the NME if The Last Shadow Puppets would return, Kane said: "Yeah, yeah, yeah, definitely. After I've done this stuff [the solo album], I guess. I've got a few things up my sleeve". BEASTIE BOYS ALBUM SIDELINED BY SEQUEL 'Hot Sauce Committee Part 1' was originally due for release in September last year but was pushed back after Adam 'MCA' Yauch was diagnosed with throat cancer. In a message posted on their website, the band said that 'Hot Sauce Committee Part 1' would "continue to be delayed indefinitely", while the follow-up "will be released on time as originally planned in spring of 2011". Which is bad news for fans of maths. -------------------------------------------------- KANYE COVER 'BANNED' Announcing that the cover was being blocked on Sunday night, West posted the artwork online. The painting by artist George Condo shows a nude West straddled by a 'phoenix', a nude woman with wings and a tail in this case. West tweeted: "They banned my album cover! They don't want me chilling on the couch with my phoenix. In all honesty... I really don't be thinking about Walmart when I make my music or album covers. I wanna sell albums but not at the expense of my true creativity. In the 70s, album covers had actual nudity... It's so funny that people forget that... Everything has been so commercialised now. So Nirvana can have a naked human being on the cover [of 'Nevermind'] but I can't have a PAINTING of a monster with no arms and a polka dot tail and wings". You can view the picture at twitpic.com/2ykxjk -------------------------------------------------- YORKE AND RONSON TO APPEAR ON SILENT CHARITY SINGLE As well as Yorke and Ronson, Bryan Ferry, Bob Hoskins, David Tennant, Andy Murray and that David Cameron will be shutting up for the track. Royal British Legion Director General Chris Simpkins said: "Rather than record a song, we felt the UK public would recognise the poignancy of silence and its clear association with remembrance". The track will be available for download from 7 Nov. More information at www.facebook.com/poppysingle2010. Of course, if this single is a success, it might skupper plans to rival this year's 'X-Factor' winner in the Christmas number one race by John Cage's silent track '4'33"', a campaign that would be brilliantly called Cage Against The Machine. GRUFF RHYS ANNOUNCES FREE DOWNLOAD AND TOUR DATES You can download 'Shark Ridden Waters' from www.gruffrhys.com now. The track will also be released on twelve-inch on 8 Nov. Tour dates: 13 Nov: Galway, Town Hall Theatre ------------------------------------------------- THE WALKMEN ANNOUNCE JANUARY 2011 UK TOUR Tour dates: 19 Jan: Glasgow, Oran Mor ------------------------------------------------- PENGUIN PRISON ANNOUNCES SINGLE AND TOUR Taking time off from working on the album, Penguin Prison will also be on tour in the UK next month. Tour dates: 17 Nov: London, Hoxton Bar & Kitchen ALBUM REVIEW: Decimal - Lost In A Dark Place (Soma Records) 'Lost In A Dark Place' covers quite a few styles, though most are somewhere between house and techno. Influences wise, you can hear different things on different tracks. 'Simulation' leans a little on Kraftwerk, 'Sense Of Time' sounds very similar to fellow Soma signing Vector Lovers, 'Melody Attack' harks back to Carl Craig's 'Landcruising' while 'Soulchamber' is akin to Glaswegian DJ Q's bumping Chicago soundscapes. But that's not to say Spacek is overly referential to others, even if his own sound is rather eclectic. The stand out track is probably 'Forgotten Requiem', a peak time house nugget with awesome strings, while the obligatory chill out ending track, 'Lesson Of Hope', is also well crafted. So, a solid debut outing from Decimal - yet again Soma have signed a quality electronic artist that confirms their cutting edge credentials. PV Physical release: 8 Nov Buy from iTunes CITY SHOWCASE MASTERCLASS FOCUSES ON TV MUSIC Award winning film and TV composer Debbie Wiseman and TV director Steve Hughes will be providing practical advice for any songwriters or composers interesting in working in the original soundtrack space. There will be an insight into how this part of the music industry works, and a discussion on the relationship between directors and composers creating the score for their work. The event takes place at the Dean Street Studios in London. Admission is free, just email [email protected] with Settling The Score in the subject line. [PIAS] REVAMPS LABEL SERVICE OFFER Confirming the new division, [PIAS] CEO Kenny Gates told CMU: "Providing services is and always has been at the heart of [PIAS]'s culture. GPM brings the concept of label and artist services to a whole new dimension. This unique offering creates a fully integrated service that both drives our business and supports the growing needs of artists and managers in the rapidly evolving market. 'Global' to [PIAS] means more than our multi-territory approach, it's about really focusing on the artist as a whole, and broadening the revenues that a strong and cohesive marketing strategy will generate. That includes but is not limited to product sales". The new division will be overseen by Edwin Schroter, who has been appointed MD of Group Repertoire. He told CMU: "We're thrilled to be announcing the [PIAS] GPM service, not least as 2011 is packed with some really exciting artists that we're partnering with. This is the logical next step for our premium services - we believe it's unique in the market and represents a truly tailored solution that is a direct response to the needs of the labels, managers and artists we work with". [PIAS], of course, also provides distribution services and operates its own record labels. FINETUNES LAUNCHES NEW DIGITAL PROMO TOOL The company says the new service will enable labels to reduce the cost and workload associated with digital PR campaigns, enabling it to more easily send information and make preview music available to DJs, journalists and other partners. It seems, amongst other things, Campaign Manager is designed to help labels move away from physical promo CDs to digital promos, but in a journalist friendly way, I think. finetunes Project Manager Rodja Schmitz-Hübsch told CMU: "In developing the Campaign Manager we have been working to create the most powerful digital promotion solution possible for our labels. Not only does Campaign Manager save our clients' precious time with its three-minute campaign setup, but also costs much less than competitive services - yet still offering all the features you would expect from a digital promotion tool in 2010". GLOBAL CHIEF DENIES INTEREST IN MOYLES As previously reported, rumours Moyles was already in talks to leave the BBC when his current contract runs out next summer were circulating last week, shortly before Radio 2 breakfast man Chris Evans told 5live it was time for Moyles to quit the nation's favourite. Responding by Twitter on Friday, Moyles himself wrote: "To confirm; 1. I'm not leaving 2. I love working for R1 3. They love me working there 4. Some people need headlines cos they got a book out!" Global had also already denied the rumours it was in talks with Moyles, but, speaking at the Radio Festival in Manchester today, the radio giant's top man responded to the chatter directly himself. According to The Guardian, he told the conference: "I want to put that one to bed. We haven't had any conversations with Chris about joining us. If you look at what we did with Heart - [hiring presenters such as] Emma Bunton and Jason Donovan - they are people who have not done radio before and we are bringing them into the sector. That is more our strategy at Global". It's a great strategy, ignore all the great radio talent out there, you know, people with ideas and personality, and instead hand prime time spots to pop stars who can just about read out the names of songs. Say what you like about Moyles, but at least he's a proper radio DJ. -------------------------------------------------- OFCOM APPROVES YOUVIEW The collaboration of so many terrestrial broadcasters on a new business venture has caused some opposition, mainly from YouView's main competitors in the VOD space, Sky and Virgin. Previous efforts by the BBC, ITV and Channel 4 to collaborate on an albeit web-based on-demand service, Project Kangaroo, was vetoed by the Competition Commission, and eventually sold off to the Arqiva who launched the service as SeeSaw. But, despite Sky and Virgin's objections, OfCom today gave its approval for YouView, saying it didn't believe having a stake in the platform would stop the likes of the BBC, ITV and Channel Four licensing their content to other competing on-demand services. The regulator added: "It is likely that YouView will bring benefits to viewers and consumers. Any potential harm to competition would need to be offset against these benefits". -------------------------------------------------- ITV RE-SIGNS X-FACTOR AND BGT The shows will continue to be aired in autumn and late spring respectively, meaning that Cowell is likely to only appear himself in the final stages of the 'X-Factor' competition, he being committed to the new US version of the show which will also run in the second half of the year. At one point it was thought ITV's unwillingness to move its 'X-Factor' programme to a different slot in the year might jeopardise Cowell's willingness to re-sign to the network at all. Though with the three year deal reportedly worth £20 million, Cowell's company was never really that likely to back out of its ITV alliance. Confirming the new deal, Cowell told reporters: "I am thrilled this deal has been concluded with ITV to enable our relationship to continue to develop. I am committed to making sure both shows get bigger and better every year". The deal will also give ITV exclusive rights to air the US versions of Cowell's shows, so that's something to look forward to. -------------------------------------------------- IPC LAUNCHES NME PRODUCTIONS A statement from IPC issued yesterday explained: "From today, the famous music brand will open its studio doors at NME HQ, the Blue Fin Building, to bands wanting to record session tracks, interview content, viral content, DVD extras, editorial press kits and much more. Having already attracted the likes of Kasabian, Doves, La Roux, Florence & The Machine and Biffy Clyro, the studios have a proven track record of high quality, professional services, carried out NME's in-house production team". NME Editor Krissi Murison added: "NME has always been committed to championing new music. By opening the doors to our studio, we're also now able to offer artists the opportunity to create all the content they need to go out and make a big impact on music fans everywhere". NME Productions is the latest spin-off from the iconic music weekly, which has diversified into a number of new areas as sales of its flagship magazine continue to slump. This is, however, to the best of my knowledge, the first B2B service to carry the NME name. ALAN PARTRIDGE BERATES KASABIAN OVER BAND NAME CHOICE Says Tom: "It was the most surreal thing ever. I was checking my voicemails and they were all pretty mundane... then Alan Partridge piped up. He was having a right go at us, saying we were setting a bad example to kids for naming the band after Linda Kasabian. It was hysterical. I love Steve Coogan, he's a funny man. I've kept it, though I'm slightly worried how he got my number - and that I'm going to feature on some wind-up show". The new Alan Partridge show is due to premiere on www.fostersfunny.co.uk next month. On the new show, Partridge said: "That it has taken Foster's to help realise my dream of joining the information superhighway is a damning indictment of the established broadcasters whose shabby treatment of me on 10 Sep 2001 was frankly shabby. I made dozens of calls the next day, all of which were ignored". |
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